theory of the TAZ in large part on this intuition. Hacking is another form of "education" with certain features of "invisibility." A mass-scale negative gesture against politics consists simply of not voting. Certain definitions or deformations of Chaos deserve denunciation, our dedication to divine disorder need not deter us from trashing the traitors rip-off artists psychic vampires now buzzing around Chaos under the impression that it's trendy. Ganesh Baba seemed to approve of this secret past, as if it were a sign of Mr Biswas's hidden tantrika strength, despite his outward seedy mild appearance. The very poor "prostitutes" (i.e.
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Perhaps some of the lines are "non-ordinary" in the sense that no convention for quantifying them exists. And besides: the dreamer, the artist, the anarchist-do they not share some tinge of cruel caprice with defining a concept essay the most outrageous of moghuls? The media cops, like televangelical forerunners, prepare us for the advent, final coming or Rapture of the police state: the "Wars" on sex and drugs: total control totally leached of all content; a map with no coordinates in any known space; far beyond mere Spectacle;. The TAZ is an art of life in continual rising up, wild but gentle-a seducer not a rapist, a smuggler rather than a bloody pirate, a dancer not an eschatologist. Smash the symbols of the Empire in the name of nothing but the heart's longing for grace. We have dreamed this as an escape from the contemplation of our own individual deaths. Early Berlin dada (which rejected the return of the art-object) for all its faults provides a better model for dealing with the implosion of the social than Surrealism could ever do-an anarchist model, or perhaps (in anthro-jargon) a non-authoritarian model, a destruction of all ideology.
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